A Show After the Show for Ferguson the Play's Final Closing Curtain

Conservative entertainment provacateur Phelim Mc Aleer held the World Premiere of his  2015 play "Ferguson the Play" in New York City . The drama depicts the shooting of Michael Brown by a greater St. Louis police officer  in 2014 which sparked several days of rioting. This ugly incident which galvanized the Black Lives Matter movement under the ersatz slogan "Hands up, don't shoot."  Mc Aleer wrote the play because he believed that the truth that it was a defensive shooting was not getting out because of media bias buying into a progressive activist agenda.

What made Ferguson the play notable is that playwright McAleer constructed the verbatum theater completely using the released transcript of the Ferguson Grand Jury.  McAleer and director Jerry Dixon worked with a multi-racial cast to put on the controversial courtroom drama  for a short run at the 30th Street Playhouse in Manhattan.

On the closing night, Cedric Benjamin commadeered the stage at the close to voice his displeasure as he thought that the play was unbalanced and biased.





Director Jerry Dixon shut down the rogue actor's rant, but the histrionic polemic spilled out into the street, with actor Benjamin accusing playwright Mc Aleer  of "white arrogance".  




Mc Aleer later praised the director for shutting down the unscripted lecture by a cast member.

It seems ironic that the actor invoked arrogance against the playwright, who raised over  $51,000 in a crowdfunding campaign to mount the production, when the actor could not just say his lines. Mc Aleer deliberately brought Ferguson the play to New York after the cast of Hamilton accosted attendee then Vice President Elect Mike Pence to defy the conceit that conservatives are not welcomed in the New York theater community.

On the first production, which was a stage reading in 2015, nine members of the Los Angeles cast walked off, with one actor claiming that he did not trust Mc Aleer's motives.  At least those thespians were professional enough to disassociate themselves with a theatrical vehicle with which they could not agree.

Ironically, Cedric Benjamin's grand gesture might prove to be counterproductive.  It has drawn more attention to a small production, thrusting it into the news.  Phelim Mc Aleer continues to fund raise over the controversy with an expressed purpose of continuing to perform Ferguson the Play in New York.   Mc Aleer took great consolation that one BLM attendee who attended the play and left shocked and mystified that "Hands Up, Don't Shoot" was a lie.

Pollster George Barna recently sought to understand why evangelical Christians supported Donald Trump, who seemed to contradict many of their mores.  A large part of the answer is that SAGE-cons (Spiritually Aware Governmentally Engaged) conservatives have great distrust in the mainstream (a.ka. lamestream) media because of biased reporting against Trump that they now use alternate media sources to avoid "fake news".  By banding together on core issues like rule of law,  Barna contends that this 11% sliver of of the American electorate voting for Donald Trump was "The Day Christians Change America" (2017).

The strength of SAGE-cons influencing America was shown more than for Election 2016.  The informal boycotts by football fans of the NFL as they tolerate players who Take A Knee during the National Anthem has severely cut into attendance along with television ratings and is influencing advertisers like Papa John's Pizza to pull back.  Such a motivated minority of SAGE-cons may well see Ferguson the Play as a chance to actuate their ideas and counter the "fake news" phenomenon in entertainment as well as cultural conceits.

Imbroglio Over Anti-Cop Agiprop Art Exhibited on Capitol Hill

[L] Artist David Pulphus [R] Rep Lacy Clay

Representative Lacy Clay (D-MO 1st) held a contest to display artwork on Capitol Hill.  The winner was 18 year old Cardinal Ritter Prep High School Senior David Pulphus with "Unnamed #1".  

This piece has stirred controversy as the adolescent's artwork depicts cops as pigs brutalizing blacks. It should be noted that a prominently depicted agitator is also depicted with lupine features giving the "Black Power" salute. Pulphus's piece also inserts a black man in graduation garb being crucified by the scales of justice. 



Charitably this can be considered an allegory to the unrest unleashed in Ferguson, Missouri, the birth place of Black Lives Matter.  But it seems more like an épater les bourgeois to defame cops as animals.  It is ironic that the one business featured in the painting is a beauty shop, which was one of the businesses that black owned businesses in Ferguson that BLM rioters burned. 

But Joe Patterson with spokesman for the St. Louis County Police Association noted: "[W]e are not about censorship, but good art and good taste are sometimes not the same thing.” Patterson characterized Pulphus's Untitled #1 as a "punch in the face" to law enforcement and commented: “This is an extraordinarily disrespectful piece at a minimum."  There have been calls from Police Associations around the nation to take down the pig headed anti-cop artwork.

Representative Clay  refused to take Pulphus' piece down since it won the contest and that he was not attempt to approve or disapprove of artistic expression, yet the Congressman also called the piece "the most creative work that he has seen in 16 years." Moreover, Rep. Clay claimed that he could not find anything offensive in the painting as:  "I find it to be an expression of what one of my constituents is feeling about what he has experienced.”

The work had been exhibited since June 2016 in the tunnel that leads to the Longworth Building on Capitol Hill for several months before the controversy.

Post Scriptus 01/06/2017 15:00 EST:  Representative Duncan D. Hunter (R-CA 50th) took down "Untitled #1" on his own accord.  Hunter invited his House colleague Clay to put it back up if he wanted. 

Update 01/09/2016 19:00  On National Law Enforcement Appreciation Day, the Congressional Black Caucus (CBC) announced their intention to rehang Pulphus' Anti-Cop acrylic artwork. The CBC stated:

“The rehanging of this painting for public view represents more than just protecting the rights of a student artist, it is a proud statement in defense of the 1st Amendment to the U.S. Constitution which guarantees freedom of expression to every American."

Update 01/17/2017  The Architect for the Capitol has determined that Pulphus' anti-cop art violates contest rules about depicting controversial political subjects and will be taken down for good by January 18, 2017.

UPDATE 04/18/2017  DC Federal Court Judge John Bates denied issuing a preliminary injunction to restore display of the painting while the litigation continues. Rep. Rep. Clay and artist Pulphus plan on appealing the ruling.

Should Anti-Cop agiprop artwork be exhibited on Capitol Hill?

Yes

No

Vetting the Vice Presidential Debate

Democrat Vice Presidential nominee Senator Tim Kaine (D-VA) and Republican Vice Presidential nominee Governor Mike Pence (R-IN) squared off in their only 2016 Election Vice Presidential Debate in Farmville, Virginia.  

Much of the District of Calamity’s punditocracy  expected the VP Debate to be a snoozer.  After all, in prior VP Debates there were few memorable moments, aside from the 1988 Senator Lloyd Bentsen (D-TX) putdown of then Senator Dan Quayle (D-IN) “You’re no Jack Kennedy” and Admiral James Stockdale’s (Reform- CO) 1992 awkward self introduction: “Who am I and why am I here.”

A Washington Post Pregame panel postulated that there was even a chance that Kaine and Pence might civilly engage in some substance.  

Boy, were we wrong. While the VP Debate lacked the memorable insults from the First Presidential Debate between Donald Trump (R-NY) and Hillary Clinton (D-NY), sparks certainly flew.

Almost from the opening salvos, Kaine employed a strategy of interrupting his opponent and being persistently provocative.  This seemed so unexpected, considering Kaine's boring reputation. During the 90 minute debate, Kaine interrupted Pence 70 times, whereas Pence reciprocated only 39 times. But Kaine’s high energy approach and often employed canned ham made his interruptions seem much more obnoxious and irritating. 

The only thing that seemed to shut Kaine up was when Pence contrasted his accomplishments as Governor of Indiana with then Governor Kaine's record in the Commonwealth of Virginia.  As a loyal soldier, Kaine apparently took the verbal spearing for raising taxes and increasing the deficit rather than take attention away from his running mate.

Senator Kaine’s rapid fire insults certainly sought to empty the verbal armory on Trump/Pence. But by badgering and using a fast talking facade, Kaine did not allow many of his attacks to gain resonance. Pence exuded the guise of being a mild-mannered Midwesterner, speaking in a less caffeinated cadence and seeming courtly. In addition, Pence masterfully credited Obama/Hillary and Kaine by recognizing their positives before tearing them down.  But these civil strategies certainly does not to suggest that Pence did not try to rhetorically draw blood from his opponent.

It seems that Kaine embraced his role of being Hillary’s attack dog and had prepared for the VP debate by memorizing myriad Trump attacks. Rather than being lured down the rabbit hole to defend each of these charges, Pence let his experience as a talk show host guide him to selectively respond.  After the stage lights dimmed, Pence's selective deflections of alleged Trump outrageous statements might be criticized as being insufficiently supporting his running mate or as opposition sound byte fodder.  But Trump revels in making big bold statements which he later modifies, so it can be exhausting to defend the indefensible. 

Senator Kaine kept bringing up the Trump tax returns.  This class warfare cudgel was wise wedge politics, it emphasized an arguable Trump flip-flop  and was certainly au currant with the illicit New York Times tax forms leak.  But repeatedly going to that well diminished its impact and then made it too obvious that it was pre-planned talking points. This was especially evident when Kaine renewed the Trump tax attack when the topic was supposed to be about North Korea nuclear weaponization.

After Kaine returned to the Trump tax routine for the sixth time,  Pence parlayed the point into some political jujitsu.  Pence countered by explaining the appearance of influence peddling which the Clinton Foundation has while Ms. Clinton was Obama's Secretary of State.  At that point, CBS moderator  Elaine Quijano cut Pence off.

While Pence comparatively spoke slowly during the debate, he allowed his analogies and attacks sink in.  Pence twice used geographical metaphors to counter Kaine's contentions.  To criticize Hillary Clinton's economic intentions, Pence referred to a mountain range of debt. Later, Pence poo-pooed Hillary's attack dog sneering an "avalanche of insults".  In our hyper-kinetic, post literate culture, being able to evoke mental pictures through words can really make an impact.  Again, this may be due to Pence's prior career on radio.

When candidates command a national audience at a debate, it is prudent to make appeals to certain voting groups.  Kaine clearly went after the womens' vote with the "Why don't you trust women to decide" on late term abortions, while shredding his faithful credentials among practical Catholics. But what was a mystery was how ineffective Kaine was in exploiting immigration.  Even though Pence chided Kaine for keep going back to "that Mexican thing", he did not make strong positive appeals to Hispanic voters.  Kaine has the background of being an Ignatian volunteer (he was never a Jesuit) in Central America and is proficient in Spanish.  In fact, he pandered en la lengua during the Philadelphia convention. Instead, it seemed that he wanted to paint Trump/Pence as "racists" for wanting to slow immigration without thorough vetting of Syrian refugees.  If Kaine's goal was to bolster the base and get out the vote, his VP Debate strategy was flawed.

Democrats are reliant of winning the black vote.  In this cycle, polling indicates that Democrats have a near lock on that segment of the voting public, but the question is whether African American voters will come out in droves to the polling place when Barack Obama is not on the ticket.  Kaine's appeal to Black voters seemed to turn on exploiting a yet  unadjudicated controversial police shooting of Philandro Castile. 

Kaine probably cited this Minnesota shooting as a way to pander to the Black Lives Matter crowd without uttering their name. But by the same token, it looks obvious that it is exploiting a tragedy and not respecting law enforcement officers presumption of innocence or right to a fair trial. If one dug into details, it was weird that the victim's girlfriend live streamed the shooting on Facebook  and ignores the guy's numerous prior encounters.  But it allowed Kaine's opponent to pitch Trump's Law and Order, mantra, as well as a Support the Police message while expressing agreement on Community Policing. 

In purely tactical terms,  Minnesota is not a battleground state and Philandro Castile is not a household name for the Black Voters as Trayvon Martin was in 2012. So Kaine's police violence forays did not win new support nor generally bolstered battleground states.  It might have been more strategic  for Kaine to point to the shooting in Charlotte, North Carolina.  But in doing so, it would not exploit the racial wedge subtext.

Pence seemed more tactical in giving his shout outs.  When touting the efficacy of stop and frisk, Pence highlighted how such a policy policy increases safety for good citizens in the inner cities, thus continuing the Trump appeal to African Americans,  In pointing out how economic recovery has not reached many Americans, Pence specifically cited Scranton (PA) and Fort Wayne as working class places which have not seen the sunny side of employment numbers.  This gave a shout out to key voters in a battleground state (ironically current Vice President "Lunch Bucket" Joe Biden's hometown). This was skillful and sounded natural.

What was remarkable for a Republican was to make an explicit appeal for pro-life voters.  The final formal question was to elucidate how each candidate was challenged in being faithful to his convictions as he acted as a public official.  

Mike Pence directed his answer to the sanctity of life and how he worked to make Indiana the most pro-adoptive state in America.  But Pence continued by questioning the conundrum of how his opponent can claim to be pro-life but politically countenance partial-term abortion.  

Kaine countered by claiming that Trump/Pence wants to punish women who make "reproductive choices". And then to slam Trump's waffling, Kaine quoted the gospel of Matthew: "From fullness, the heart speaks".   Kaine was so busy attacking on abortion that he failed to hit Pence on RFRA, which came to a flash point in the Hoosier State and could sway Same-Sex marriage supporters.

Pence rejoined by echoing St. Mother Teresa and noting  that a society can be judged by how it deals with the most vulnerable.  By emphasizing partial birth abortion, Pence made a pro-life appeal with which  90% of Americans agree and may bolster support from conservatives skeptical about supporting Trump.

Aside from being the designated attack dog, a Vice Presidential nominee on the hustings is often employed to counter deficiencies on the top of the ticket. For instance, in the 2000 Election then Governor George W. Bush (R-TX) was perceived as an inexperienced Washington outsider, so he chose consummate Between the Beltways insider ex Rep. Dick Cheney (R-WY) to give him "gravitas" in a running mate.

In this cycle, Governor Mike Pence may well have been picked as an outreach to conservatives with solid Washington and outsider experience by a novice nationalist populist politician like Donald Trump.  But Pence also offers a contrast in temperament.  Trump is known for his flamboyant, outrageous and unpredictable style, whereas Pence proved in the VP Debate that he was cool, civil and steady. 

On the other end of the political pendulum this year, aself-professed progressive Hillary Clinton chose left-leaning Tim Kaine, seemingly to win to Virginia and bank on his identity politics of being a Catholic with outreach to Hispanics.  As experienced of an insider as Mrs. Clinton is, she is not a natural politician and does not exude an inviting public personality that is believable.  A feasible mission for Kaine during the VP Debate should have been to make his running mate seem warm and fuzzy.  Instead, most people will remember the Democrat VP as acting like an obnoxious, argumentative jerk who kept interrupting.  This did nothing to mollify Hillary's warmness gap and it made many Democrats agitated at Kaine's discourtesy. 

It is dubious if a Vice Presidential debate matters much in the scheme of a Presidential election.  We could read the transcript to digest the alluvia of assertions and insults, but it did not seem that there were any measurable moments which encapsulate the event.  But I am reminded of what Maya Angelou's pearl of wisdom that: "People may forget what you've said, people will forget what you did but they will never forget how you made them feel."   

Considering that both major party candidates would be septagenarian Commanders-in-Chief, and one has many prospective health challenges, voters need to seriously consider that the VP might actually occupy the Oval Office.  This debate made Mike Pence look statesman-like, steady and civil, which helps Trump out as well as himself. Unfortunately, Kaine seemed like a smarmy, supercilious candidate who does not play well with others. That might stick in the minds of some voters who will remember that a vote for Hillary is a vote for Kaine.

Friday the 13th Paris Attacks -- What Are the Chances?

Friday November 13th was a busy night in the City of Lights.  Paris was hosting a friendly soccer match between the French and the German national teams in which French President Francois Hollande attended at the Stade de France. Former American Vice President Al Gore was conducting  "Live Earth", a marathon 24 hour webcast concert to raise consciences about Climate Change at the foot of the Eiffel Tower featuring luminaries like Duran Duran.  The Eagles of Death Metal, a southern California rock band was playing the storied Bataclan music hall. And the bars and cafes in the 11th arrondissement were packed with revelers.

But Paris was rocked with a half dozen coordinated bombings and shootings.  A terrorist tried to come late to the soccer match in Saint Denny but was turned away by security, hence he blew himself up outside of the Stade de France.  Several minutes later, his comrades in arms exploded their suicide vests nearby.  This was a probable assassination attempt against President Hollande with the intent to kill more from the potential of 80,000 spectators.

Five minutes after the bombings at the soccer match, gunmen with submachine guns began shooting people in the sidewalk cafes and bars in the 10th and 11th arrondissements.  

But where the most carnage occurred was at the Bataclan Music Hall in which several terrorists took hundreds hostage, killing at least 80 with many more critically injured. These barbarians deliberately shot spectators in wheel chairs one by one.  If there was any doubt as to the motivation of these savages, they shouted Allahu Akbar( ("God is Great" the war chant of jihadists)  and "Free Syria" as they reloaded and continued their atrocities.

The world sought to show solidarity through gatherings of remembrance and sympathetic light displays. Yet some protested these humanistic expressions as the same consciousness does not occur when lives are lost by Palestinians or in Africa.  Black Lives Matter activists reached out to social media to proclaim "F#ck Pray for Paris".  And after some progressive politicians like socialist Senator Bernie Sanders (I-VT) made pro forma expressions of sympathy, they still maintain that Climate Change is more of a threat to the world today than radical Islamist terrorism. 

Hence it is ironic to consider the irony that Duran Duran kicked off the "24 Hours of Reality" with "What Are the Chances?" to pressure the Climate Change Summit which is scheduled to be held in Paris at the beginning of December.  The ponderous lyrics muse about our place in the world.  Yet idealists perseverate on the theory of anthropogenic global warming over a 100 years yet ignore the danger which is right down the boulevard. 

So, what are the chances Of seeing an uptick of violence from forces creating chaos and tyranny? ~Quite likely.  But what of solidarity against barbarism? The foundation exists amongst those who love liberty and the value of individuals. Alas, it is unknown how those noble sentiments will hold up during the Storm.